A stylistic crossroads where folk, avant-jazz, electronica and raw punk co-existed, Rochford’s music was aptly called “the sound of the future” even though it betrayed a love of Ellington, Monk and, yes, Napalm Death. Not only the most gifted jazz drummer of his generation, bandleader Sebastian Rochford crafted sublimely original chamber music. Such was the brilliance of Polar Bear’s Held On The Tips Of Fingers, the band’s second release, it almost won the 2005 Mercury Music Prize. Sebastian Rochford (d), Pete Wareham, Mark Lockheart (ts), Tom Herbert (b), Leafcutter John (programming) plus Jonny Philips (g), Ingrid Laubrock (ts), Joe Bentley (tb), Emma Smith (v) and Hannah Marshall (c). Polar Bear: Held On The Tips of Fingers (Babel) 'The 100 Jazz Albums That Shook The World' was conceived and compiled by Jon Newey and Keith Shadwick with contributions from Stuart Nicholson, Brian Priestley, Duncan Heining, Kevin Le Gendre, Charles Alexander, and Tom Barlow. New waves of scorchingly impressive musicians arrived at the gates to deliver their own challenges as the music moved inexorably beyond its American roots to go truly global. After jazz and marketing embraced one another in the 1980s and 90s, this became even more pivotal and inter-related. ★ Jazz Albums that Shook the World: The 1970sīy the 1960s and 70s, things had only intensified on this front, with albums by leading players and breakthrough artists becoming major events, not only for the media feasting on them but for the fans, many who had come to the music from a flourishing progressive rock scene that thrived on such things. ★ Jazz Albums that Shook the World: The 1960s ★ Jazz Albums that Shook the World: The 1950s With an active critical fraternity already analysing the music’s every move, by the time records such as Saxophone Colossus turned up in 1956, the ability of a record to influence the entire direction of the music came centre stage. Albums became an increasingly important way for musicians to communicate with the wider world beyond the smoke and limitations of the night club circuit. Just to give you some idea of how we drew up the criteria for this list: long-playing vinyl records began to appear in the US at the tail end of the 1940s, first in a 10” format, then by the mid-1950s in what became the standard 12” format that still persists today alongside CDs, which first appeared in the mid-1980s. But this is not just another “greatest jazz albums” list of favourite recordings and biggest sellers but a fully annotated look at the albums that actually changed jazz and changed lives.

Barely a month goes by without magazines, newspapers or TV programmes pushing yet another poll of the 100 greatest whatever.

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